In The Fold, Gilles Deleuze argues that Leibniz’s writings constitute the grounding elements of a Baroque philosophy and of theories for analyzing contemporary arts and science. A model for expression in contemporary aesthetics, the concept of the monad is viewed in terms of folds of space, movement, and time. Similarly, the world is interpreted as a body of infinite folds and ...(展开全部)

In The Fold, Gilles Deleuze argues that Leibniz’s writings constitute the grounding elements of a Baroque philosophy and of theories for analyzing contemporary arts and science. A model for expression in contemporary aesthetics, the concept of the monad is viewed in terms of folds of space, movement, and time. Similarly, the world is interpreted as a body of infinite folds and ...(展开全部)

吉尔·德勒兹(Gilles Deleuze,1925-1995)，法国哲学家，1925年生于法国巴黎，1944年就读于索邦大学哲学系，1957年被任命为索邦大学教员，后来任教于里昂大学和巴黎第八大学，1987年退休。从20世纪50年代初到1995年去世，他写了大量关于哲学、文学、电影的文章。他最受欢迎的作品是《资本主义与精神分裂:反俄狄浦斯》和《资本主义与精神分裂:千高原》，尽管他曾自称为“纯粹的形而上学家”，但他的作品影响了人文学科的各个领域，包括哲学、艺术和文学理论，以及后结构主义和后现代主义等运动。

吉尔·德勒兹(Gilles Deleuze,1925-1995)，法国哲学家，1925年生于法国巴黎，1944年就读于索邦大学哲学系，1957年被任命为索邦大学教员，后来任教于里昂大学和巴黎第八大学，1987年退休。从20世纪50年代初到1995年去世，他写了大量关于哲学、文学、电影的文章。他最受欢迎的作品是《资本主义与精神分裂:反俄狄浦斯》和《资本主义与精神分裂:千高原》，尽管他曾自称为“纯粹的形而上学家”，但他的作品影响了人文学科的各个领域，包括哲学、艺术和文学理论，以及后结构主义和后现代主义等运动。

彼得·克莱恩斯，1969年出生于美国缅因州，从小痴迷斯蒂芬·金的小说，热衷漫画、星球大战和卡通片，8岁开始创作，17岁时作品逐步发表，19岁时修完了4门博士课程：英国文学、考古学、量子物理学和现代舞。他发表了大量短篇小说和影评文章，出版了《前英雄》系列（Ex-Heroes）、《14号门》等畅销小说，目前居住在美国加州南部，以写作为生。

The age of Baroque witnessed the construction of some magnificent buildings, but what did the work of architects such as Bernini, Guarini and Wren have to do with Descartes, Galileo and Newton? In this book, George L. Hersey explores the ways in which Baroque architecture, with its shapes and experimentation with classical forms, reflects the scientific thinking of the time. He...(展开全部)

The age of Baroque witnessed the construction of some magnificent buildings, but what did the work of architects such as Bernini, Guarini and Wren have to do with Descartes, Galileo and Newton? In this book, George L. Hersey explores the ways in which Baroque architecture, with its shapes and experimentation with classical forms, reflects the scientific thinking of the time. He...(展开全部)

Gian Lorenzo Bernini (1598-1680) was the most influential sculptor of his age. Inventive and skilled, he virtually created the Baroque style. In his religious sculptures he excelled at capturing movement and extreme emotion, uniting figures with their setting to create a single conception of overwhelming intensity that expressed the fervour of Counter-Reformation Rome. Intensit...(展开全部)

Gian Lorenzo Bernini (1598-1680) was the most influential sculptor of his age. Inventive and skilled, he virtually created the Baroque style. In his religious sculptures he excelled at capturing movement and extreme emotion, uniting figures with their setting to create a single conception of overwhelming intensity that expressed the fervour of Counter-Reformation Rome. Intensit...(展开全部)

海因里希·沃尔夫林（Heinrich Wolfflin，1864-1945年），瑞士著名美术史家，著名学者雅各布·布克哈特的高足，被认为是继温克尔曼、布克哈特之后第三位伟大的艺术史家。沃尔夫林的艺术史研究关注普遍的风格特征，而不是对单独艺术家的分析，他把作品形式分析、心理学和文化史结合起来，力图创建一部“无名的艺术史“。主要著作有：《文艺复兴与巴洛克》（1888年）、《古典艺术》（1899年）、《艺术史的基本原理》（又译《艺术风格学：美术史的基本概念》，1915年）和《意大利和德国的形式知觉》（1931年）等。